{"id":12095,"date":"2023-07-07T09:20:40","date_gmt":"2023-07-07T13:20:40","guid":{"rendered":"https:\/\/koreanfilmfestivalcanada.ca\/?p=12095"},"modified":"2023-07-13T13:51:44","modified_gmt":"2023-07-13T17:51:44","slug":"gew-asian-media-arts-at-dazibao","status":"publish","type":"post","link":"https:\/\/koreanfilmfestivalcanada.ca\/ko\/gew-asian-media-arts-at-dazibao\/","title":{"rendered":"GEW Asian Media Arts at Dazibao"},"content":{"rendered":"<section class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_column_text]<\/p>\r\n<p><span style=\"font-size: 14pt;\"><a href=\"https:\/\/www.instagram.com\/explore\/tags\/kffc10\/\">#KFFC10<\/a>\u00a0will feature 11 Asian media artworks as part of our GEW (Gallery East-West) screenings at Dazibao, from May 27 to June 3.<\/span><\/p>\r\n<p><span style=\"font-size: 14pt;\"><\/span><\/p>\r\n<p><span style=\"font-size: 14pt;\"><strong>Leave me, don&#8217;t leave me by Jinyoung Kim<\/strong><\/span><br \/><span style=\"font-size: 14pt;\">\u00b7 An elusive figure collects and accumulates a pile of objects at night, that becomes a site of sentimental ritual<\/span><\/p>\r\n<p><span style=\"font-size: 14pt;\"><\/span><\/p>\r\n<p><span style=\"font-size: 14pt;\"><strong>Harvesting the Light: The Graves of Diaspora by Soyoung Kim<\/strong><\/span><br \/><span style=\"font-size: 14pt;\">\u00b7 In remembrance and re-animating the significance of the burial place of people by synthesizing photos of different sources<\/span><\/p>\r\n<p><span style=\"font-size: 14pt;\"><\/span><\/p>\r\n<p><span style=\"font-size: 14pt;\"><strong>Rubbing, Wall &amp; Home Made Home by Kevin Park Jung-Hoo<\/strong><\/span><br \/><span style=\"font-size: 14pt;\">\u00b7 Visualizing a conceptual landscape within the two-dimensional screen space by exploring poetic writing, action-painting, and chroma key technology<\/span><\/p>\r\n<p><span style=\"font-size: 14pt;\"><\/span><\/p>\r\n<p><span style=\"font-size: 14pt;\"><strong>Omote (\u9762) by Miya Turnbull<\/strong><\/span><br \/><span style=\"font-size: 14pt;\">\u00b7 Dance\/art film performed by Miya Turnbull and Shion Skye Carter using masks and gestures to explore their mixed Japanese Canadian identity<\/span><\/p>\r\n<p><span style=\"font-size: 14pt;\"><\/span><\/p>\r\n<p><span style=\"font-size: 14pt;\"><strong>Isolation Journal by Ho Tam<\/strong><\/span><br \/><span style=\"font-size: 14pt;\">\u00b7 Affirmation and reaffirmation are necessary actions in these strange times<\/span><\/p>\r\n<p><span style=\"font-size: 14pt;\"><\/span><\/p>\r\n<p><span style=\"font-size: 14pt;\"><strong>20 Minutes and 28 seconds of Sunset by Hua Jin<\/strong><\/span><br \/><span style=\"font-size: 14pt;\">\u00b7 Single-shot 4K video of a real time sunset reflecting its light on St Lawrence River &#8211; showing changes of the evening light when the sun goes down, and the changes of the movement of water<\/span><\/p>\r\n<p><span style=\"font-size: 14pt;\"><\/span><\/p>\r\n<p><span style=\"font-size: 14pt;\"><strong>All Tomorrow\u2019s Ocean by Xuan Ye<\/strong><\/span><br \/><span style=\"font-size: 14pt;\">\u00b7 Timeless connection between humanity and the ocean through improvised sounds and AI-generated visuals, highlighting the influence of stock images and algorithms on our perception of the &#8216;oceanic desire&#8217;<\/span><\/p>\r\n<p><span style=\"font-size: 14pt;\"><\/span><\/p>\r\n<p><span style=\"font-size: 14pt;\"><strong>The Old, The New and The Other by S\u00e9bastien Simon, Cha Minchol, Alaric Hamacher<\/strong><\/span><br \/><span style=\"font-size: 14pt;\">\u00b7 A stranger arrives in a town, Mipo, where urban development is accelerating the gentrification of that old fishing village located on the edge of Haeundae beach, in Busan, South Korea<\/span><\/p>\r\n<p><span style=\"font-size: 14pt;\"><\/span><\/p>\r\n<p><span style=\"font-size: 14pt;\"><strong>Justement en(raciner) by Jad Orph\u00e9e Chami, Angelina Guo, kimura byol lemoine<\/strong><\/span><br \/><span style=\"font-size: 14pt;\">\u00b7 Our desire to (up)root our relationship to the territory already shaped by our immigrant journeys, and imagine new pathways to justice for indigenous and racialized people<\/span><\/p>\r\n<p><span style=\"font-size: 14pt;\"><\/span><\/p>\r\n<p><span style=\"font-size: 14pt;\"><strong>Traveling Soul by Yiou Wang<\/strong><\/span><br \/><span style=\"font-size: 14pt;\">\u00b7 A human child constantly exhibits rodent behaviour, echoing the metamorphosis myth and exploring themes of otherness and transmigration of the soul<\/span><\/p>\r\n<p><span style=\"font-size: 14pt;\"><\/span><\/p>\r\n<p><span style=\"font-size: 14pt;\">Free admission, online reservation only at <a href=\"http:\/\/kffc10.eventbrite.com\">kffc10.eventbrite.com<\/a><\/span><\/p>\r\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][noxe_image_gallery_element type=&#8221;carousel&#8221; style=&#8221;style-1&#8243; title=&#8221;false&#8221; caption=&#8221;false&#8221; column=&#8221;3&#8243; column-space=&#8221;5&#8243; masonry-randomize=&#8221;false&#8221; masonry-last-row=&#8221;justify&#8221; carousel-autoplay=&#8221;false&#8221; carousel-loop=&#8221;false&#8221; carousel-centered-slides=&#8221;false&#8221; carousel-direction=&#8221;horizontal&#8221; carousel-effect=&#8221;slide&#8221; carousel-free-mode=&#8221;false&#8221; carousel-controls-style=&#8221;style-1&#8243; carousel-controls-skin=&#8221;light&#8221; carousel-controls-border=&#8221;false&#8221; carousel-navigation=&#8221;false&#8221; carousel-pagination=&#8221;false&#8221; images=&#8221;11195,11198,11201&#8243; masonry-row-height=&#8221;&#8221; masonry-max-row-height=&#8221;&#8221; masonry-margin=&#8221;&#8221; carousel-autoplay-delay=&#8221;&#8221; carousel-slide-speed=&#8221;&#8221;][\/vc_column][\/vc_row]<\/p><\/section>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][vc_column_text] #KFFC10\u00a0will feature 11 Asian media artworks as part of our GEW (Gallery East-West) screenings at Dazibao, from May 27 to June 3. Leave me,&#8230;<\/p>\n","protected":false},"author":4,"featured_media":11197,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","footnotes":""},"categories":[71],"tags":[],"class_list":["post-12095","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-71"],"acf":[],"_links":{"self":[{"href":"https:\/\/koreanfilmfestivalcanada.ca\/ko\/wp-json\/wp\/v2\/posts\/12095","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/koreanfilmfestivalcanada.ca\/ko\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/koreanfilmfestivalcanada.ca\/ko\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/koreanfilmfestivalcanada.ca\/ko\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/koreanfilmfestivalcanada.ca\/ko\/wp-json\/wp\/v2\/comments?post=12095"}],"version-history":[{"count":2,"href":"https:\/\/koreanfilmfestivalcanada.ca\/ko\/wp-json\/wp\/v2\/posts\/12095\/revisions"}],"predecessor-version":[{"id":12097,"href":"https:\/\/koreanfilmfestivalcanada.ca\/ko\/wp-json\/wp\/v2\/posts\/12095\/revisions\/12097"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/koreanfilmfestivalcanada.ca\/ko\/wp-json\/wp\/v2\/media\/11197"}],"wp:attachment":[{"href":"https:\/\/koreanfilmfestivalcanada.ca\/ko\/wp-json\/wp\/v2\/media?parent=12095"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/koreanfilmfestivalcanada.ca\/ko\/wp-json\/wp\/v2\/categories?post=12095"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/koreanfilmfestivalcanada.ca\/ko\/wp-json\/wp\/v2\/tags?post=12095"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}