{"id":12803,"date":"2024-02-13T20:40:00","date_gmt":"2024-02-14T01:40:00","guid":{"rendered":"https:\/\/koreanfilmfestivalcanada.ca\/?p=12803"},"modified":"2024-02-14T14:02:21","modified_gmt":"2024-02-14T19:02:21","slug":"communique-de-presse-la-troisieme-conference-internationale-daaplab-arrive-reservez-vos-places-et-venez-nous-rejoindre","status":"publish","type":"post","link":"https:\/\/koreanfilmfestivalcanada.ca\/fr\/communique-de-presse-la-troisieme-conference-internationale-daaplab-arrive-reservez-vos-places-et-venez-nous-rejoindre\/","title":{"rendered":"La troisi\u00e8me conf\u00e9rence internationale d&#8217;AAPlab arrive ! R\u00e9servez vos places et venez nous rejoindre !"},"content":{"rendered":"\n<p>[Communiqu\u00e9 de presse] <\/p>\n\n\n\n<p>13 f\u00e9vrier 2024. 20:40 (EST)<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p class=\"has-text-align-center has-medium-font-size\"><strong>Troisi\u00e8me conf\u00e9rence internationale du<\/strong><strong>Laboratoire de Publication d\u2019Arts Asiatiques<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center has-medium-font-size\"><strong>Explorer le ph\u00e9nom\u00e8ne des K-Arts dans la Hallyu, la vague cor\u00e9enne<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\">22, 23, 24 f\u00e9vrier 2024<\/p>\n\n\n\n<p class=\"has-text-align-center\">Universit\u00e9 de Montr\u00e9al, Montr\u00e9al (UdeM) et Dazibao&nbsp;<\/p>\n\n\n\n<p class=\"has-text-align-center\"><\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>Gratuit pour le public : RSVP ci-dessous<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\"><a href=\"http:\/\/forms.gle\/DpRM6K6mFqcJS2Ka8\">Formulaire d&#8217;inscription<\/a><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p>Le Laboratoire de Publication d\u2019Arts Asiatiques (LabPAA), bas\u00e9 \u00e0 Montr\u00e9al, annonce la troisi\u00e8me conf\u00e9rence internationale.&nbsp;<em><strong>Exploration du ph\u00e9nom\u00e8ne des K-Arts dans la Hallyu, la vague cor\u00e9enne<\/strong><\/em>. Le th\u00e8me de cette ann\u00e9e est &#8220;<em>Surface Tension : K-Arts dans l&#8217;\u00e8re Hallyu<\/em>&#8220;.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p>La conf\u00e9rence de trois jours consiste en diverses activit\u00e9s portant sur un large \u00e9ventail de K-Arts et se concentrant sur l&#8217;impact global du ph\u00e9nom\u00e8ne culturel&nbsp;<em>Hallyu<\/em>. Dans ce contexte, nous abordons la question suivante : &#8220;<em>Les arts peuvent-ils s&#8217;exprimer ?<\/em>&#8220;<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p>La conf\u00e9rence r\u00e9unit plus de 30 universitaires, artistes et&nbsp;chercheurs.es&nbsp;de Cor\u00e9e, du Japon, d&#8217;Inde, d&#8217;Australie, de Russie, d&#8217;Angleterre et d&#8217;Espagne, ainsi que de tout le Canada.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p>Plus de vingt de ces chercheurs et artistes pr\u00e9senteront leur travail en personne lors de la conf\u00e9rence. Il s&#8217;agira probablement du plus grand rassemblement jamais organis\u00e9 sur la &#8220;Hallyu&#8221;, la vague cor\u00e9enne, \u00e0 Montr\u00e9al et au Canada, avec des r\u00e9sum\u00e9s tels que &#8220;Network-Image on Hallyu : Active Spectators and their Participation&#8221; \u00e0 propos de BTS par Jiyoung Lee, &#8220;History of Hallyu in China : From the 1990s to Today&#8221; par Nanxin Fu, et &#8220;The Secret History of Hallyu : K-pop, Fine Arts, and Korean Soft Power&#8221; par Christina Klein. La liste compl\u00e8te des r\u00e9sum\u00e9s est disponible sur ce&nbsp;<a href=\"https:\/\/apixf.r.a.d.sendibm1.com\/mk\/cl\/f\/sh\/SMK1E8tHeG13GZ552Q0znHlFkHZO\/pPlSfYBcRVKr\" target=\"_blank\" rel=\"noreferrer noopener\">lien<\/a>.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p>Nous avons le plaisir de vous pr\u00e9senter nos orateurs principaux, Soyoung Kim et Shin Dong Kim, deux universitaires de renom.<\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-top is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><div class=\"wp-block-image\">\n<figure class=\"alignright size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"578\" height=\"868\" src=\"https:\/\/koreanfilmfestivalcanada.ca\/wp-content\/uploads\/2024\/02\/Soyoung-Kim-1.jpeg\" alt=\"\" class=\"wp-image-12764\" style=\"object-fit:cover;width:181px;height:181px\" srcset=\"https:\/\/koreanfilmfestivalcanada.ca\/wp-content\/uploads\/2024\/02\/Soyoung-Kim-1.jpeg 578w, https:\/\/koreanfilmfestivalcanada.ca\/wp-content\/uploads\/2024\/02\/Soyoung-Kim-1-200x300.jpeg 200w, https:\/\/koreanfilmfestivalcanada.ca\/wp-content\/uploads\/2024\/02\/Soyoung-Kim-1-506x760.jpeg 506w, https:\/\/koreanfilmfestivalcanada.ca\/wp-content\/uploads\/2024\/02\/Soyoung-Kim-1-286x430.jpeg 286w, https:\/\/koreanfilmfestivalcanada.ca\/wp-content\/uploads\/2024\/02\/Soyoung-Kim-1-186x280.jpeg 186w, https:\/\/koreanfilmfestivalcanada.ca\/wp-content\/uploads\/2024\/02\/Soyoung-Kim-1-16x24.jpeg 16w, https:\/\/koreanfilmfestivalcanada.ca\/wp-content\/uploads\/2024\/02\/Soyoung-Kim-1-24x36.jpeg 24w, https:\/\/koreanfilmfestivalcanada.ca\/wp-content\/uploads\/2024\/02\/Soyoung-Kim-1-32x48.jpeg 32w\" sizes=\"auto, (max-width: 578px) 100vw, 578px\" \/><figcaption class=\"wp-element-caption\">Soyoung Kim,<br>Orateur principal<\/figcaption><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><div class=\"wp-block-image\">\n<figure class=\"alignleft size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"413\" height=\"531\" src=\"https:\/\/koreanfilmfestivalcanada.ca\/wp-content\/uploads\/2024\/02\/Shin-Dong-Kim-1.png\" alt=\"\" class=\"wp-image-12767\" style=\"object-fit:cover;width:181px;height:181px\" srcset=\"https:\/\/koreanfilmfestivalcanada.ca\/wp-content\/uploads\/2024\/02\/Shin-Dong-Kim-1.png 413w, https:\/\/koreanfilmfestivalcanada.ca\/wp-content\/uploads\/2024\/02\/Shin-Dong-Kim-1-233x300.png 233w, https:\/\/koreanfilmfestivalcanada.ca\/wp-content\/uploads\/2024\/02\/Shin-Dong-Kim-1-334x430.png 334w, https:\/\/koreanfilmfestivalcanada.ca\/wp-content\/uploads\/2024\/02\/Shin-Dong-Kim-1-218x280.png 218w, https:\/\/koreanfilmfestivalcanada.ca\/wp-content\/uploads\/2024\/02\/Shin-Dong-Kim-1-19x24.png 19w, https:\/\/koreanfilmfestivalcanada.ca\/wp-content\/uploads\/2024\/02\/Shin-Dong-Kim-1-28x36.png 28w, https:\/\/koreanfilmfestivalcanada.ca\/wp-content\/uploads\/2024\/02\/Shin-Dong-Kim-1-37x48.png 37w\" sizes=\"auto, (max-width: 413px) 100vw, 413px\" \/><figcaption class=\"wp-element-caption\">Shin Dong Kim,<br>Orateur principal<\/figcaption><\/figure>\n<\/div>\n\n\n<p><\/p>\n<\/div>\n<\/div>\n\n\n\n<p>Soyoung Kim est r\u00e9alisatrice de films, artiste multim\u00e9dia et auteure de plusieurs ouvrages sur le cin\u00e9ma cor\u00e9en, dont le plus r\u00e9cent,&nbsp;<em>Korean Cinema in Global Contexts : Postcolonial Phantom, Blockbuster, Trans-Cinema<\/em>&nbsp;(2022). Elle est professeure d&#8217;\u00e9tudes cin\u00e9matographiques \u00e0 l&#8217;Universit\u00e9 Nationale des Arts de Cor\u00e9e \u00e0 S\u00e9oul et directrice de Trans-Asia Screen Culture.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p>Shin Dong Kim est professeur \u00e0 l&#8217;\u00e9cole des m\u00e9dias de l&#8217;universit\u00e9 Hallym de Chunchon, pr\u00e9sident de l&#8217;Association cor\u00e9enne de diplomatie publique, 2024, r\u00e9dacteur en chef du Journal cor\u00e9en des sciences sociales et a jou\u00e9 de nombreux r\u00f4les cl\u00e9s dans les m\u00e9dias et les domaines culturels cor\u00e9ens.<\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1240\" height=\"827\" src=\"https:\/\/koreanfilmfestivalcanada.ca\/wp-content\/uploads\/2024\/02\/Time-of-Seeds-edited-1.jpeg\" alt=\"\" class=\"wp-image-12792\" style=\"width:204px;height:auto\" srcset=\"https:\/\/koreanfilmfestivalcanada.ca\/wp-content\/uploads\/2024\/02\/Time-of-Seeds-edited-1.jpeg 1240w, https:\/\/koreanfilmfestivalcanada.ca\/wp-content\/uploads\/2024\/02\/Time-of-Seeds-edited-1-300x200.jpeg 300w, https:\/\/koreanfilmfestivalcanada.ca\/wp-content\/uploads\/2024\/02\/Time-of-Seeds-edited-1-1024x683.jpeg 1024w, https:\/\/koreanfilmfestivalcanada.ca\/wp-content\/uploads\/2024\/02\/Time-of-Seeds-edited-1-768x512.jpeg 768w, https:\/\/koreanfilmfestivalcanada.ca\/wp-content\/uploads\/2024\/02\/Time-of-Seeds-edited-1-1140x760.jpeg 1140w, https:\/\/koreanfilmfestivalcanada.ca\/wp-content\/uploads\/2024\/02\/Time-of-Seeds-edited-1-645x430.jpeg 645w, https:\/\/koreanfilmfestivalcanada.ca\/wp-content\/uploads\/2024\/02\/Time-of-Seeds-edited-1-415x277.jpeg 415w, https:\/\/koreanfilmfestivalcanada.ca\/wp-content\/uploads\/2024\/02\/Time-of-Seeds-edited-1-600x400.jpeg 600w, https:\/\/koreanfilmfestivalcanada.ca\/wp-content\/uploads\/2024\/02\/Time-of-Seeds-edited-1-24x16.jpeg 24w, https:\/\/koreanfilmfestivalcanada.ca\/wp-content\/uploads\/2024\/02\/Time-of-Seeds-edited-1-36x24.jpeg 36w, https:\/\/koreanfilmfestivalcanada.ca\/wp-content\/uploads\/2024\/02\/Time-of-Seeds-edited-1-48x32.jpeg 48w\" sizes=\"auto, (max-width: 1240px) 100vw, 1240px\" \/><figcaption class=\"wp-element-caption\">Time of Seeds (2002) by Seol Suan<\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"933\" height=\"623\" src=\"https:\/\/koreanfilmfestivalcanada.ca\/wp-content\/uploads\/2024\/02\/Big-Fight-in-Little-Chinatown-edited.png\" alt=\"\" class=\"wp-image-12786\" style=\"width:203px;height:auto\" srcset=\"https:\/\/koreanfilmfestivalcanada.ca\/wp-content\/uploads\/2024\/02\/Big-Fight-in-Little-Chinatown-edited.png 933w, https:\/\/koreanfilmfestivalcanada.ca\/wp-content\/uploads\/2024\/02\/Big-Fight-in-Little-Chinatown-edited-300x200.png 300w, https:\/\/koreanfilmfestivalcanada.ca\/wp-content\/uploads\/2024\/02\/Big-Fight-in-Little-Chinatown-edited-768x513.png 768w, https:\/\/koreanfilmfestivalcanada.ca\/wp-content\/uploads\/2024\/02\/Big-Fight-in-Little-Chinatown-edited-644x430.png 644w, https:\/\/koreanfilmfestivalcanada.ca\/wp-content\/uploads\/2024\/02\/Big-Fight-in-Little-Chinatown-edited-415x277.png 415w, https:\/\/koreanfilmfestivalcanada.ca\/wp-content\/uploads\/2024\/02\/Big-Fight-in-Little-Chinatown-edited-600x401.png 600w, https:\/\/koreanfilmfestivalcanada.ca\/wp-content\/uploads\/2024\/02\/Big-Fight-in-Little-Chinatown-edited-24x16.png 24w, https:\/\/koreanfilmfestivalcanada.ca\/wp-content\/uploads\/2024\/02\/Big-Fight-in-Little-Chinatown-edited-36x24.png 36w, https:\/\/koreanfilmfestivalcanada.ca\/wp-content\/uploads\/2024\/02\/Big-Fight-in-Little-Chinatown-edited-48x32.png 48w\" sizes=\"auto, (max-width: 933px) 100vw, 933px\" \/><figcaption class=\"wp-element-caption\">Big Fight in Little Chinatown (2022) by Karen Cho<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/koreanfilmfestivalcanada.ca\/wp-content\/uploads\/2024\/02\/Mul-Maeum-1024x683.jpeg\" alt=\"\" class=\"wp-image-12778\" style=\"width:202px;height:auto\" srcset=\"https:\/\/koreanfilmfestivalcanada.ca\/wp-content\/uploads\/2024\/02\/Mul-Maeum-1024x683.jpeg 1024w, https:\/\/koreanfilmfestivalcanada.ca\/wp-content\/uploads\/2024\/02\/Mul-Maeum-300x200.jpeg 300w, https:\/\/koreanfilmfestivalcanada.ca\/wp-content\/uploads\/2024\/02\/Mul-Maeum-768x512.jpeg 768w, https:\/\/koreanfilmfestivalcanada.ca\/wp-content\/uploads\/2024\/02\/Mul-Maeum-1536x1025.jpeg 1536w, https:\/\/koreanfilmfestivalcanada.ca\/wp-content\/uploads\/2024\/02\/Mul-Maeum-2048x1366.jpeg 2048w, https:\/\/koreanfilmfestivalcanada.ca\/wp-content\/uploads\/2024\/02\/Mul-Maeum-1139x760.jpeg 1139w, https:\/\/koreanfilmfestivalcanada.ca\/wp-content\/uploads\/2024\/02\/Mul-Maeum-645x430.jpeg 645w, https:\/\/koreanfilmfestivalcanada.ca\/wp-content\/uploads\/2024\/02\/Mul-Maeum-415x277.jpeg 415w, https:\/\/koreanfilmfestivalcanada.ca\/wp-content\/uploads\/2024\/02\/Mul-Maeum-600x400.jpeg 600w, https:\/\/koreanfilmfestivalcanada.ca\/wp-content\/uploads\/2024\/02\/Mul-Maeum-24x16.jpeg 24w, https:\/\/koreanfilmfestivalcanada.ca\/wp-content\/uploads\/2024\/02\/Mul-Maeum-36x24.jpeg 36w, https:\/\/koreanfilmfestivalcanada.ca\/wp-content\/uploads\/2024\/02\/Mul-Maeum-48x32.jpeg 48w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Mul Maeum (2022) by Jin-Me Yoon<\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"962\" height=\"636\" src=\"https:\/\/koreanfilmfestivalcanada.ca\/wp-content\/uploads\/2024\/02\/70-Years-of-Korean-International-Adoption.png\" alt=\"\" class=\"wp-image-12783\" style=\"width:201px;height:auto\" srcset=\"https:\/\/koreanfilmfestivalcanada.ca\/wp-content\/uploads\/2024\/02\/70-Years-of-Korean-International-Adoption.png 962w, https:\/\/koreanfilmfestivalcanada.ca\/wp-content\/uploads\/2024\/02\/70-Years-of-Korean-International-Adoption-300x198.png 300w, https:\/\/koreanfilmfestivalcanada.ca\/wp-content\/uploads\/2024\/02\/70-Years-of-Korean-International-Adoption-768x508.png 768w, https:\/\/koreanfilmfestivalcanada.ca\/wp-content\/uploads\/2024\/02\/70-Years-of-Korean-International-Adoption-650x430.png 650w, https:\/\/koreanfilmfestivalcanada.ca\/wp-content\/uploads\/2024\/02\/70-Years-of-Korean-International-Adoption-415x274.png 415w, https:\/\/koreanfilmfestivalcanada.ca\/wp-content\/uploads\/2024\/02\/70-Years-of-Korean-International-Adoption-600x397.png 600w, https:\/\/koreanfilmfestivalcanada.ca\/wp-content\/uploads\/2024\/02\/70-Years-of-Korean-International-Adoption-24x16.png 24w, https:\/\/koreanfilmfestivalcanada.ca\/wp-content\/uploads\/2024\/02\/70-Years-of-Korean-International-Adoption-36x24.png 36w, https:\/\/koreanfilmfestivalcanada.ca\/wp-content\/uploads\/2024\/02\/70-Years-of-Korean-International-Adoption-48x32.png 48w\" sizes=\"auto, (max-width: 962px) 100vw, 962px\" \/><figcaption class=\"wp-element-caption\">70 Years of Korean International Adoption (2023) by kimura byol lemoine<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<p>Parmi les points forts de la conf\u00e9rence figurent les documentaires &#8220;<em>Times of Seeds<\/em>&#8221; de Seol Suan (2022, Cor\u00e9e), &#8220;<em>Big Fight in Little Chinatown<\/em>&#8221; de Karen Cho (2022, Montr\u00e9al), et les artistes m\u00e9diatiques cor\u00e9enne Jin-Me Yoon (&#8220;<em>Mul Maeum<\/em>&#8220;\/<em>Water Mind<\/em>, 2022) et montr\u00e9alaise Kimura byol Lemoine (&#8220;<em>70 years of Korean International Adoption<\/em>&#8221; 2023)<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p>Des&nbsp;\u00e9tudiants.es&nbsp;interuniversitaires pr\u00e9senteront le \u201cK-Camp Hallyu&#8221;, une pr\u00e9-conf\u00e9rence initi\u00e9e par Mi-Jeong Lee, directrice du LabPAA et professeure d&#8217;arts visuels et m\u00e9diatiques cor\u00e9ens \u00e0 l&#8217;UdeM. Le K-Camp Hallyu est destin\u00e9 aux jeunes qui sont les artistes, les&nbsp;chercheurs.es&nbsp;et les universitaires de demain. Ils.elles organiseront des \u00e9v\u00e9nements interuniversitaires dans le cadre de la conf\u00e9rence : une table ronde d&#8217;\u00e9tudiants.es, un concours d&#8217;affiches Hallyu et un atelier de danse K-Pop le 22 f\u00e9vrier de 11 \u00e0 16 heures \u00e0 l&#8217;UdeM. Ce programme soutient le Centre d&#8217;\u00e9tudes asiatiques (C\u00c9TASE: Gabriel Fauveaud, Directeur) de l&#8217;Universit\u00e9 de Montr\u00e9al (UDEM).<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p>Ce camp offrira aux&nbsp;<a href=\"http:\/\/xn--tudiants-90a.es\/\" target=\"_blank\" rel=\"noreferrer noopener\">\u00e9tudiants.es<\/a>&nbsp;une occasion unique de s&#8217;engager dans la recherche et la cr\u00e9ativit\u00e9 pour r\u00e9imaginer les futurs K-Arts dans et hors de la Hallyu, K-Wave. Les membres du comit\u00e9 inaugural sont Maria Jaworksa, Dana\u00e9 Robinson et Nina Kaddaoui de l&#8217;UdeM.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p>Explorer le ph\u00e9nom\u00e8ne K-Arts dans la&nbsp;<em>Hallyu&nbsp;<\/em>vise \u00e0 rapprocher le public des K-arts et du contenu&nbsp;<em>Hallyu<\/em>. Nous voulons explorer la perception des arts K, afin de remodeler le pr\u00e9sent et d&#8217;ouvrir des possibilit\u00e9s pour l&#8217;avenir.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p>Ne manquez pas cette occasion de participer \u00e0 une exploration globale de la culture&nbsp;<em>Hallyu&nbsp;<\/em>lors de la conf\u00e9rence internationale&nbsp;<em>Hallyu\/K-Wave<\/em>.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p>Tous les \u00e9v\u00e9nements sont gratuits et l&#8217;inscription est d\u00e9sormais ouverte au public.Les places sont limit\u00e9es. RSVP avant 17 heures, le 20 f\u00e9vrier 2024 \u00e0&nbsp;<a href=\"http:\/\/artseastwest.ca\/\" target=\"_blank\" rel=\"noreferrer noopener\">artseastwest.ca<\/a>&nbsp;ou le lien.&nbsp;<a href=\"https:\/\/apixf.r.a.d.sendibm1.com\/mk\/cl\/f\/sh\/SMK1E8tHeG7uihu2DaATt73zia9e\/_-RKBER2DP4Z\" target=\"_blank\" rel=\"noreferrer noopener\"><u>https:\/\/forms.gle\/v59A9FYEBTMNNuf79<\/u><\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n<p class=\"has-text-align-center has-background\" style=\"background:linear-gradient(135deg,rgb(255,206,236) 0%,rgb(206,206,248) 100%);font-size:14px\"><strong><strong>Lieu<\/strong><\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center has-background\" style=\"background:linear-gradient(135deg,rgb(255,206,236) 0%,rgb(206,206,248) 100%);font-size:14px\">Carrefour des Arts et des Sciences (CFAS)<\/p>\n\n\n\n<p class=\"has-text-align-center has-background\" style=\"background:linear-gradient(135deg,rgb(255,206,236) 0%,rgb(206,206,248) 100%);font-size:14px\">Pavillon Lionel-Groulx, 3150, rue Jean-Brillant Montr\u00e9al QC H3T 1N8<\/p>\n\n\n\n<p class=\"has-text-align-center has-background\" style=\"background:linear-gradient(135deg,rgb(255,206,236) 0%,rgb(206,206,248) 100%);font-size:14px\"><strong>Film and media art screenings at Dazib<strong>Projections de films et d\u2019arts m\u00e9diatiques \u00e0 Dazibao<\/strong>ao<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center has-background\" style=\"background:linear-gradient(135deg,rgb(255,206,236) 0%,rgb(206,206,248) 100%);font-size:14px\">5455, de Gasp\u00e9 avenue, suite 109 (GF)<\/p>\n\n\n\n<p class=\"has-text-align-center has-background\" style=\"background:linear-gradient(135deg,rgb(255,206,236) 0%,rgb(206,206,248) 100%);font-size:14px\">Montr\u00e9al QC Canada H2T 3B3 (M\u00e9tro Laurier)<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p>La conf\u00e9rence comprend un volet en ligne de visionnements de films et de vid\u00e9oconf\u00e9rences.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>Aper\u00e7u du programme et des \u00e9v\u00e9nements<\/strong><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p>La prochaine conf\u00e9rence internationale Hallyu\/K-Wave promet une exp\u00e9rience captivante gr\u00e2ce \u00e0 un programme soigneusement \u00e9labor\u00e9 et comprenant quatre \u00e9v\u00e9nements majeurs. La conf\u00e9rence d\u00e9bute par une projection en ligne de &#8220;Time of Seeds&#8221; du 15 f\u00e9vrier 2024 au 25 f\u00e9vrier 2024, accessible sur&nbsp;<a href=\"https:\/\/apixf.r.a.d.sendibm1.com\/mk\/cl\/f\/sh\/SMK1E8tHeGEmAqizOkJxywMjgsju\/nAbb_w-dyVuJ\" target=\"_blank\" rel=\"noreferrer noopener\">artseastwest.ca<\/a>.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p>La 3e conf\u00e9rence internationale du LabPAA est soutenue par l&#8217;Acad\u00e9mie des \u00e9tudes cor\u00e9ennes. Les collaborateurs et partenaires sont l&#8217;Universit\u00e9 de Montr\u00e9al (UdeM), la galerie Dazibao, le Festival du Film Cor\u00e9en du Canada (FFCC), le Centre d&#8217;\u00c9tudes Asiatiques de l&#8217;UdeM, le Service des Affaires Internationales de l&#8217;UdeM, K-Camp Hallyu, Krossline Dance Studio, Thestimony.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>Programme journalier<\/strong><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>Jour 1 &#8211; jeudi 22 f\u00e9vrier&nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp;<\/strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p>10:30 &#8211; 16:00 \u00c9v\u00e9nement pr\u00e9-conf\u00e9rence inter-universitaire du K-Camp Hallyu (KCH)<\/p>\n\n\n\n<p>18:00 &#8211; 20:30 R\u00e9ception d&#8217;ouverture officielle de la conf\u00e9rence, CFAS \u00e0 l&#8217;Universit\u00e9 de Montr\u00e9al<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>Jour 2 &#8211; Vendredi 23 f\u00e9vrier<\/strong><\/p>\n\n\n\n<p>09:00 &#8211; 18:00 Tables rondes de la conf\u00e9rence officielle, discours des orateurs principaux CFAS \u00e0 l&#8217;Universit\u00e9 de Montr\u00e9al<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>Jour 3 &#8211; Samedi 24 f\u00e9vrier<\/strong><\/p>\n\n\n\n<p>09:00 &#8211; 12:30 Tables rondes de la conf\u00e9rence officielle, discours des orateurs principaux<\/p>\n\n\n\n<p>13:30 &#8211; 15:00 Discussions sur les livres avec les&nbsp;auteurs.es&nbsp;de Rencontre sur Hallyu, K-Cin\u00e9ma et les arts (CFAS \u00e0 l&#8217;Universit\u00e9 de Montr\u00e9al<\/p>\n\n\n\n<p><strong>Film et art m\u00e9diatique Projections et discussions avec les artistes<\/strong><\/p>\n\n\n\n<p>17:30 &#8211; 18:50&nbsp;<em>Mul Maeum<\/em>&nbsp;(2022) de Jin-me Yoon, suivi d&#8217;une conversation, mod\u00e9r\u00e9e par Susette Min, universitaire et commissaire d&#8217;exposition<\/p>\n\n\n\n<p>19:00 &#8211; 21:30&nbsp;<em>70 years of Korean International Adoption<\/em>&nbsp;(2023) de Kimura Byol Lemoine, suivi d&#8217;une discussion avec l&#8217;artiste.<em>Big Fight in Little Chinatown&nbsp;<\/em>(2022) de Karen Cho. Suivi d&#8217;une conversation avec l&#8217;artiste, anim\u00e9e par Mei Chou, activiste social.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>Visionnement de film en ligne<\/strong><\/p>\n\n\n\n<p>9:00, 14 f\u00e9vrier &#8211; 11:59, 25 f\u00e9vrier 2024 (EST<\/p>\n\n\n\n<p><em>Time of Seeds<\/em>&nbsp;(2022) de Seol Suan&nbsp;Pour obtenir tous les d\u00e9tails sur la conf\u00e9rence, y compris les horaires, les conf\u00e9renciers et les autres \u00e9v\u00e9nements, veuillez consulter le site&nbsp;<a href=\"http:\/\/artseastwest.ca\/\" target=\"_blank\" rel=\"noreferrer noopener\">artseastwest.ca<\/a>.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>\u00c0 propos de Asian Art Publication Lab<\/strong><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p>Le&nbsp;<strong>LabPAA&nbsp;<\/strong>est un laboratoire de recherche et de cr\u00e9ation bas\u00e9 \u00e0 Montr\u00e9al,&nbsp;<strong>Arts East-West<\/strong>, un organisme qu\u00e9b\u00e9cois \u00e0 but non lucratif dirig\u00e9 par des artistes qui soutient les arts m\u00e9diatiques asiatiques depuis 1996. Le LabPAA est un projet \u00e0 l&#8217;intersection du monde universitaire et de la culture publique. Notre objectif est d&#8217;agir comme un pont entre l&#8217;Est et l&#8217;Ouest en d\u00e9colonisant les arts asiatiques par le biais d&#8217;un dialogue inclusif et critique. Nous visons \u00e0 promouvoir les arts asiatiques, en mettant l&#8217;accent sur la diaspora, et sur les relations entre les arts et la technologie. Nous r\u00e9imaginons les perceptions de l&#8217;Orient et de l&#8217;Occident afin de cr\u00e9er une communaut\u00e9 d&#8217;artistes et d&#8217;amateurs d&#8217;art plus dynamique et plus inclusive. Nous publions et traduisons des livres, des essais et des r\u00e9cits qui mettent en valeur la riche diversit\u00e9 de la pratique et de la cr\u00e9ation artistique asiatique. Le LabPAA invite les artistes et les&nbsp;<a href=\"http:\/\/chercheurs.es\/\" target=\"_blank\" rel=\"noreferrer noopener\">chercheurs.es<\/a>&nbsp;\u00e0 s&#8217;engager avec nous, en offrant une plateforme en personne et virtuelle pour explorer et incarner des projets artistiques pan-asiatiques innovants. Un autre projet remarquable d&#8217;Arts East-West est le Festival du Film Cor\u00e9en du Canada, dont la onzi\u00e8me \u00e9dition aura lieu en 2024.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>Comit\u00e9 d&#8217;organisation de la conf\u00e9rence<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>&#8211; Victoria-Oana Lupascu, University of Montreal, Montreal, Quebec, Canada<\/li>\n\n\n\n<li>&#8211; Mi-Jeong Lee, University of Montreal, Montreal, Quebec, Canada<\/li>\n\n\n\n<li>&#8211; Martin Picard, University of Montreal, Montreal, Quebec, Canada<\/li>\n\n\n\n<li>&#8211; CHOI, Jung Bong, Columnist and Researcher, Kyoto, Japan (Former Professor, Cinema Studies, NYU.)<\/li>\n\n\n\n<li>&#8211; Gabriel Remy-Handfield, Australian National University, Canberra, Australia<\/li>\n<\/ul>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>Contact pour les m\u00e9dias<\/strong><\/p>\n\n\n\n<p>Laboratoire de Publication d&#8217;Art Asiatique<\/p>\n\n\n\n<p><a href=\"mailto:asianartpublicationlab@gmail.com\" target=\"_blank\" rel=\"noreferrer noopener\"><u>asianartpublicationlab@gmail.com<\/u><\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/apixf.r.a.d.sendibm1.com\/mk\/cl\/f\/sh\/SMK1E8tHeGLdczXwZuTS4lfTfBKA\/SIesgj9NeXzy\" target=\"_blank\" rel=\"noreferrer noopener\"><u>https:\/\/www.artseastwest.ca\/<\/u><\/a>&nbsp;<\/p>\n\n\n\n<p>nstagram: aew.kffc<\/p>\n\n\n\n<p>Facebook: Asian Arts Publication Laboratory (AAPlab)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[Communiqu\u00e9 de presse] 13 f\u00e9vrier 2024. 20:40 (EST) Troisi\u00e8me conf\u00e9rence internationale duLaboratoire de Publication d\u2019Arts Asiatiques Explorer le ph\u00e9nom\u00e8ne des K-Arts dans la Hallyu, la&#8230;<\/p>\n","protected":false},"author":9,"featured_media":12756,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","footnotes":""},"categories":[70],"tags":[],"class_list":["post-12803","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-non-classifiee"],"acf":[],"_links":{"self":[{"href":"https:\/\/koreanfilmfestivalcanada.ca\/fr\/wp-json\/wp\/v2\/posts\/12803","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/koreanfilmfestivalcanada.ca\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/koreanfilmfestivalcanada.ca\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/koreanfilmfestivalcanada.ca\/fr\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/koreanfilmfestivalcanada.ca\/fr\/wp-json\/wp\/v2\/comments?post=12803"}],"version-history":[{"count":3,"href":"https:\/\/koreanfilmfestivalcanada.ca\/fr\/wp-json\/wp\/v2\/posts\/12803\/revisions"}],"predecessor-version":[{"id":12811,"href":"https:\/\/koreanfilmfestivalcanada.ca\/fr\/wp-json\/wp\/v2\/posts\/12803\/revisions\/12811"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/koreanfilmfestivalcanada.ca\/fr\/wp-json\/wp\/v2\/media\/12756"}],"wp:attachment":[{"href":"https:\/\/koreanfilmfestivalcanada.ca\/fr\/wp-json\/wp\/v2\/media?parent=12803"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/koreanfilmfestivalcanada.ca\/fr\/wp-json\/wp\/v2\/categories?post=12803"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/koreanfilmfestivalcanada.ca\/fr\/wp-json\/wp\/v2\/tags?post=12803"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}